
12 TIPS & TRICKS for TAKING GREAT PHOTOS with a POINT AND SHOOT DIGITAL CAMERA
My good friend Joey asked me if I'd share some of my "secrets" for getting great photos with a point and shoot digital camera!
1 STEALTH MODEMute your camera. No need to alert your friend that you're trying to take a candid shot of him. Not to mention - many Kodak moments are ones where people need to be quite, like a wedding or speech.
2 BANISH FLASH, EMBRACE BLURAvoid flash as much as you can. The flash washes out natural color and separates the subject from her surroundings.
You will need a steady hand for sharp shots, but...
Blur gives the photo an active, living feel.



*Shoot in "manual" mode and turn off the flash or turn it on as you need it; as opposed to "automatic" mode which automatically turns BACK on the flash every time you turn the camera off and back on again.
3 CONTINUOUS MODE & TAKING MULTIPLE SHOTSAny magazine advertisement or cover you see, is the best photo out of dozens of photos taken of that subject. Why should you capture a moment in your own life any differently?
Simply put: more photos, more chance for a great shots.
Try to get into the habit of taking at least 3 photos of the same thing, and experiment with different settings; with and without flash; different angles. Make sure you have a big memory card so you can do this without running the risk of filling up your memory card - or, to save space, as you go you can delete the photos that didn't come out well (like the ones with your friend's eyes half open).
The shot below was one of about 10 shots, and this was probably one of the last. The fresh faces were most likely the result of me saying "Aaron, your hat is ruining the shot."
4 "CHEESE" IS MOLDY.THROW IT OUT.Instead of asking your friends and family to say "cheese" which makes for cheesy smiles (naturally) just talk to them while you're shooting. "You're very ugly." or "You're so hot!" or anything that'll give them a laugh will produce great reactions and ultimately amazing photos. There's a reason the photographer stereotype is one where he is saying provocative things to the model.
5 STEADY CAMIT'S hard to keep your hand steady. Use things around you to keep it still - like a pole or wall, or table.
6 CENTER VS. OFF-CENTERDon't center everything! If you're going to center it - then really center it!


Otherwise, experiment with choosing two focal points for your composition. A subject in the foreground and one in the background. Think of your frame as having 3 lines. One in the middle and two splitting the differences on each side. Line your subjects up with one of those three lines. That's a safe bet for a good composition.



If you're looking for more of a challenge and dramatic effect, experiment with taking shots of people that are actually partly out of the frame. This seems counterintuitive - why TRY to not get the whole subject in the shot - because it adds to the tension of the image and really engages the viewer.



NOTE: Make sure you make the camera focus (by depressing the shutter button halfway) on the subject you want before you frame the shot with the subject off to one side. Otherwise it'll look to what's closest to the center and focus on that!
7 DISTRACT YOUR SUBJECTDon't always allow your subjects to stare into the camera lens. Photos like this can feel staged and sterile. Why? Because they ARE staged, and staged - if all they're doing is waiting for the camera to go off - is definitely sterile (as in the photo below).

Instead while they're waiting for your countdown, fire off a shot. Then say "oops! Oh no. You looked really ugly in that one." While they're laughing, fire off another one. The point is, you want them to look like they're actually in a MOMENT. Not just posing for a shot. Almost nobody (who's not already famous) is good looking enough to be interesting just looking into a lense. We already know what they look like. We want to see them in a moment.




My favorite technique for getting candid, alive moments, is to hold the camera off to one side, or lower than usual - point it at them and then talk to them. Or just shoot without engaging them at all! Ask them questions and, as they're answering you, rapid fire some shots of them. Most likely they won't be looking into the camera if you do this and that can make for a much more natural moment.
"Hey! What's that!??" also works.
8 USE MACRO MODESome of the most curious and amazing things in the room, or out in the world are very very small, or look interesting very very close up; A rain drop clinging to a rusty pipe is a thing of beauty - and you can introduce it to the world simply by choosing to do so. Switch your camera to macro mode (it's the little icon of a tulip) and bring the camera to within 1 or 2 inches of the subject. Depress the button half-way to make sure it's focusing on the thing you want. Compose the shot - look at the lines and placement of the subject and secondary elements - shoot! KEEP YOUR HAND STILL!


9 TWISTGet out of the habit of shooting pictures where you frame the shot parallel to the ground! Twist the camera a bit and you'll get a really cool effect. Shoot from above, shoot from below.





10 POST PRODUCEHave you ever heard of a film going into post production? If you want a quality product, you need to take the raw material and tweak it. This is true for nearly every art form where it's possible to tweak the raw material. Do you think Ansel Adams took photos that were naturally this amazing? True, he had to have great raw footage - but his talent laid equally in the dark room as it did behind the lens.
You don't need photoshop. Most computers have programs that will allow you to mess with the basic settings: crop, contrast, brightness, color... Here are my favorite two:
1. crop: crop the photo to get a more interesting composition. Try cropping so your subject is to the extreme right, left top or bottom.
ii. contrast - increase it. I don't know of many shots that look good with the contrast down. Increasing contrast defines the colors more dramatically, the lights and darks and adds a richness to the image.
Macs owners (yes we're all snobby about our wonderful macs) have really great tools to work with right inside iphoto: Effects & Adjust.
You can get some amazing effects using these tools. One of my favorites is to tweak the Effects to be first Black & White, then boost color, then blur the edge!
ORIGINAL - with Mac Effects & Adjust windows open.

CROPPED - the higher the megapixel, the less grainy your cropped photos will be.
The bridge as the subject seemed to be better framed in landscape rather than portrait.

INCREASE CONTRAST (Adjust window)
INCREASE COLOR SATURATION (Adjust window)
BLUR EDGES (Effects window)
Increasing the contrast darkens the darks and lightens the lights often making the photo "pop". Increasing the color saturation makes those red flowers look their true bright red color.
Bluring the Edges can evoke soft photos of the late 70s, early 80s, but can also simply add depth.

BLACK & WHITE (Effects window)
BOOST COLOR (Effects window) - doing this after converting to black and white gives the image a chocolate brown hue.
BLUR EDGES (Effects window)

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BEFORE

AFTER
11 BLACK & WHITEYou can almost always improve the quality of the shot, by converting it to Black & White. Then increase the contrast. Images become timeless and striking when in Black & White. Pictures taken with flash especially become improved because the colors of the shot are no longer in danger of being washed out!
Darken the photo slightly and you've got something really cool.

12 FLIPIf you really want to get fancy - take portraits and, if you can, flip them so they are a mirror image of what you took. People are used to seeing their faces as they appear in a mirror. That's why 95% of the time people hate the way they look in photos even when everyone else thinks they look amazing! Because all our faces our asymmetrical, we have a very hard time seeing a face that looks so different from the one we see in the mirror 10 times a day.